Shooting RAW differs from traditional video recording in that recording a video signal requires adjusting color temperature, exposure, gain, sharpening, knee, toe, pedestal and black levels prior to processing the signal. In a RAW capture, all this information can be addressed after the recording is made. The sensor simply captures what it sees and all processing takes place in post, offering the ability to make all adjustments for the perfect picture in the editing process. Exposure, in the form of shutter and iris, is the only finite adjustment that need be made, at time of capture, to obtain the correct image.

One of the most unusual facets of the RED ONE is the fact that it captures information, unprocessed, off of a Bayer Pattern CMOS sensor. This raw data is simply all the information that the sensor is able to "see", comprising all color information in a single channel, and is not processed. Identical to the way a DSLR still camera captures a RAW file, this enables the user to adjust parameters after the fact, as color, gain and sharpening can all be done post capture.

When the camera boots up, it displays the firmware build and serial number.

When you become a registered owner of a RED ONE camera, you are given a user name and password to allow you to download firmware.

RED provides free downloads of Firmware Builds to all registered owners on its Customer Support page at red.com. The download is then placed on a CF or SD card and placed in the camera. Upon booting, the camera's display will acknowledge the recognition of a new build on the inserted media and cue the user to accept or deny.

RED has engineered the RED ONE to be capable of extraordinary performance, thanks to its sophisticated FPGA design. Although more expensive in nature to build, the system allows for re-programming, which allows capabilities to be added through firmware builds. With each build, the RED ONE becomes more feature-rich and exceeds the abilities originally imagined for it. With the implementation of Build 16, the RED ONE has fulfilled all its promises and then some. Future builds will continue to add features, increase performance and solve new challenges, while always being free of charge and part of the experience for the RED ONE owner.

RED values the support of third party manufacturers and welcomes the addition of many products hitting the market to join the RED Revolution. Although we don't authorize or put our "seal of approval" on all accessories, we certainly encourage the creative process that generates new items that we haven't even thought of. The ultimate decision of purchase is left to the consumer.

The RED Brick battery rated at 140Wh will provide 2 hours of camera on-time, whether in standby or record mode. The V-lock system that we provide is an industry standard allowing the use of other manufacturer's cells, although not allowing the camera-intelligent features of remaining time/battery status that the RED Brick offers.

The HDMI port would be recommended for any other manufacturer's LCD product. The RED ONE does not offer a standard definition monitor port.

Because of the varying standards of the "consumer based" HDMI protocol, not all computer monitors and televisions can accommodate the 1280 x 720 signal. Currently, the following monitors have been tested and recommended by REDUSERS as offering full screen display and menus:

• Westinghouse L2410NM
• HP w2007
• Sony KDL26S3000 26"
• Dell 2405
• Gateway FHD2400 24"

The RED ONE, as of Build 15, is all outputs enabled, supporting a RED EVF, RED LCD, (3) HD-SDI outputs and one HDMI output simultaneously, with two of these outputs supporting full GUI overlay graphics. Default for GUI (menus) is RED EVF and RED LCD. If either monitoring option is not present, GUI overlay is available to the HD-SDI or HDMI outputs. So, the GUI overlay can only be sent to two monitoring options at a time.

The cables for the LCD and EVF are interchangeable, however, their respective connectors on the camera are not, each providing a different output. The Drive cable is not compatible with either monitor.

The resolution of the RED EVF is 1280 x 848.

The resolution of the RED LCD is 1024 x 600.

Yes, the RED ONE provides 2 GPIO trigger interfaces.

Yes, the RED ONE supplies 48V phantom power.

RED is compatible with both self powered microphones as well as mics requiring 48V phantom power. It is recommended that the microphone has an output sensitivity ranging between -30db and -60db.

It is on RED's roadmap to offer a Canon FD mount. There are several third party developers working on or offering Canon mounts currently, so RED will evaluate these and make a decision on moving forward.

The only RED lens with a viable front filter thread is the 18-50, which uses a 72mm diameter filter (inset in front lens barrel). The 50-150 and 300 do not have standard filter threads. The 300 does accept 43mm filters in a filter holder in the rear of the lens. The front diameter (for mounting pro shades or matte boxes) for the 18-50 and 50-150 is 114mm. The front diameter of the 300mm is 117mm.

The adaptor necessary for attaching a 2/3" lens to a RED ONE is available from RED as the PL to B4 Mount adaptor. It requires shooting in 2K as the lens coverage is insufficient to cover the 4K sensor. Power is available from the camera via the Auxiliary/Lens Port connector which provides a 500mA 12V supply.

The i-pins were enabled on Build 17 to operate with S4/i enabled hardware.

RED has taken upon itself to offer optics that are as revolutionary as the camera they attach to, both in price and performance. To achieve this end, RED has searched the world for the best partners to meet this goal. Suffice to say, when RED puts their name on a lens, it is a design specific to RED and not available from anyone else. It is more the rule than the exception that camera companies in the rarified world of Digital Cinema, be it HD, 2K or 4K, go to the experts in optical design and sources are always held in confidence.

RED has developed an industry revolution by introducing an adjustable PL mount, forever eliminating mount shimming to achieve accurate back focus.

The RED ONE offers a variety of choices when it comes to lens options by virtue of its interchangeable PL lens mount. All PL mount lenses are compatible and capable of covering the full sensor area. With a Canon or Nikon mount adapter (replacing the removable PL mount), one can use traditional Canon and Nikon 35mm still camera lenses and also have full sensor coverage. S16 lenses with PL mounts may also be used, but for use with 2K recording only, as the coverage will be insufficient for full sensor. With RED's PL to B4 Mount adaptor, standard 2/3" video lenses may be used with the RED ONE, also with a 2K windowed sensor.

There are many excellent tripods available for the RED ONE made by O'Connor, Cartoni, Miller and Sachtler, just to name a few. RED recommends, at minimum, a fluid head capable of supporting a minimum of 40lbs., such as an O'Connor 1030HD PRO. Optimum would be a head capable of greater load, such as the O'Connor 2060HD.

We understand that US West Coast rental houses have standardized on 15mm, but RED has chosen 19mm as a standard, primarily due to the robustness and strength that it offers, in addition to its acceptance as the new standard on US East Coast and Europe. We have provided the option of using 15mm systems with our 15mm rod adaptor and our 15mm ARRI Plate.

The Base Production Pack comes with a Shoulder Dovetail support for use on the shoulder and that configuration may also be used on a tripod for fixed camera support, as 1/4-20 and 3/8-16 threads are provided. For a more rigid and stable attachment on tripod (for panning and camera movement), the RED Cheeseplate is recommended.

The Base Production Pack is a support and rail system for the RED ONE, enabling the camera to be supported by the shoulder, attached to a tripod for stationary support and allowing all additional accessories to be attached to the camera. The Pack consists of the following individual pieces:
RED Bottom Plate
RED Shoulder Dovetail
RED Universal Mount
RED Top Mount
RED Top Handle
RED Handle (Rt.)
RED Cradle
RED 18" Rods (2)
Individually priced, the package would add up to $2760, but the entire Base Production Pack sells for only $1250 complete. For run and gun hand held work, you could add an additional RED Handle (Lt.) and RED Handle Mount. For a more robust top support, add a Top Handle Extension and for the optimum in versatility, additional Top Mounts, Universal Mounts, Side Handles and 12" or 24" Rods may be added. These, for the ability to add EVFs and LCDs, as well as many other attachment configurations.

This is actually a loaded question because the camera is only the tip of the iceberg, when considering the need for tripods, microphones, lighting and post workflow solutions. But to get the camera up and running, at minimum, would require a RED ONE body, a lens, a monitor, a power source and recording media. The cost of a Basic Package, the minimum kit required for a working RED ONE would be $30,000. In its most basic configuration a RED ONE package would consist of the following:

RED ONE body               $17,500
Base Production Pack       $ 1,250
RED 18-50 T3 lens          $ 6,500
RED Power Pack             $ 1,450
RED LCD                    $ 1,700
RED CF Module              $   500
RED CF card (4)            $ ...  

Buyers must obtain a Return Merchandise Authorization (“RMA”) prior to the return of any product. Cameras may only be returned for refund within ten (10) days of original delivery by Red. If the factory seal on the product has been broken, returned product for refund is subject to a restocking fee. More information can be found in RED's Terms and Conditions .