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Director of Jumper, The Bourne Identity, Mr. & Mrs. Smith, and Swingers, Doug Liman talks about taking a RED into underwater conditions and the speed at which the RED could be reloaded.
Founder and CEO of LIGHT IRON, Michael Cioni has served as a Digital Intermediate Supervisor on over 200 feature films including The Social Network. He talks about the advantages of RED in the Final Cut Pro workflow.
Producer/Director and President of Evergreen Films, Pierre De Lespinois discusses the RED design, green screen mattes and the magic word “nondestructive.”
Cinematographer of Legally Blonde, Employee of the Month & Good Luck Chuck, Tony Richmond talks about his experience with the RED system and how it puts him right back on the floor instead of inside a tent.