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This guide details the steps required to move RED R3D files through an HD post production process using:
Adobe and RED Digital Cinema have collaborated to provide the following workflow resources:
Provides native REDCODE media (R3D) support for Final Cut Pro and Color. Includes: RED QuickTime codec (v4.4.0), Log and Transfer plug-in for FCP (v30.3.0), REDCODE plug-in for Color (v4.4), and Final Cut Studio RED workflow whitepaper.
Watch one continuous 18 minute take showing the easiest file-based workflow in the industry, as RED ROCKET™, REDCINE-X® and a variety of tools create Avid, FCP and Premiere files in minutes, while live streaming to an iPad and conforming and grading on a Pablo 4K, all in real time.
4K files are just too big for realtime applications, right? Watch Ted Schilowitz dispel yet another myth.
Concerned about the process of post workflow with RED? Ted Schilowitz explains the players and the technology that makes RED acquisition the simplest and most universal to post produce on the planet today.