As DP Greg St. Johns reflects on shooting season 7 of the hit CBS show Criminal Minds, it’s clear that his recent transition to RED® technology has had a significant impact on production. After moving to the RED EPIC® from the Sony F35, St. Johns was more than pleased with the results.
Australian director Kriv Stenders talks about his latest movie, Red Dog. The movie is based on a true story of the Red Dog that brought a local community together while roaming the Australian outback in search of his long lost master.
Director of Ocean’s Eleven, Traffic, Erin Brockovich, CHE Part 1 & 2, The Argentine, The Informant, Liberace, Haywire, Girlfriend Experience and Contagion, Steven Soderbergh speaks about the advantages of RED®’s workflow.
Crash — Commercial & Music Video Cinematographer of videos including but not limited to: John Mayer, Dixie Chicks, Black Eyed Peas, Jay Z, No Doubt, Snoop Dogg, J Lo, Pink, Budweiser, Coca Cola, Target, Pepsi, Adidas, Chevy — talks about RED®’s speed and simplicity.
Founder and CEO of LIGHTIRON, Michael Cioni has served as a Digital Intermediate Supervisor on over 200 feature films including The Social Network. He talks about the advantages of RED® in the Final Cut Pro workflow.
Cinematographer of Legally Blonde, Employee of the Month & Good Luck Chuck, Tony Richmond talks about his experience with the RED® system and how it puts him right back on the floor instead of inside a tent.