REDucation is kicking off this year with a record breaking number of classes that will be educating RED students across the world. Participants in over 9 countries will learn RED technology inside and out, enrolling in a curriculum that spans everything from pre to post production. Attendees will learn from RED specialists and industry leaders who are excited to share their detailed knowledge, tips, and tricks.
2014 marks the first year we’ve ever packed this many classes into our international programs and we look forward to sustaining the level of academic quality that brings students in year after year.
Next stop for REDucation is London, UK February 17th-19th followed by Los Angeles on February 24th-28th.
Founded by Jake Burton Carpenter, Burton Snowboards emerged onto the scene in 1977 and has been synonymous with snowboard culture ever since. Today Burton is one of the largest and most recognizable snowboarding brands with the world’s top professional snowboard team that includes: Shaun White, Terje Haakonsen, Nicolas Müller, Jeremy Jones, Danny Davis, Zak Hale, Jussi Oksanen, Kelly Clark, Hannah Teter and Kimmy Fasani.
For the newest RED Collective, RED spoke with Burton’s Global Director of Team Marketing and Media, Bryan Knox, who opens the doors to Burton’s story and philosophy.
Burton’s media team shoots around the globe on a combination of EPICs and SCARLETs. Check out their web video series, [ Snowboarding ] at Burton.com.
John John Florence is the Hawaiian-born surfing phenom who has been using RED cameras to capture his wave riding excursions. His latest piece, Enjoy, is a B&W dominant short documenting his travels in Europe with footage captured by Blake Vincent Kueny and Erik Knutson. Florence’s surf documentaries have developed a strong following, as the consistency and tonality of his projects continue to be well received by audiences world wide. Stay tuned – at age 21, many more adventures lie ahead for John John Florence to document.
Capturing wildlife involves a camera that is fast, lightweight, and versatile. Which is why a tapeless, high-speed, digital cinema camera makes the most sense for nature photographers and cinematographers alike. National Geographic filmmaker Mark Emery and nature cinematographer Joe Poncorvo are no strangers to this, which is why when they go out into the field, they take their RED EPIC with them. Poncorvo tells us:
Not only does EPIC capture a raw image but it does so at 2K-5K. Combined with high frames rate, it’s a natural for natural history
High-resolution content provides National Geographic’s audience with unparalleled image detail and provides cinematographers and editors with flexibility in post-production. Mark Emery explains how he leverages the EPIC’s 5K imagery for his benefit:
Because the image is so massive and our final product is for TV, I can grab matched close ups of single bears from my master shot of several bears, in post. That reduces lens changes so I can follow the action.
Many of the same lenses used for wildlife photography may be used with the RED EPIC or SCARLET, with Canon and Nikon mounts that are simple to mount and swap. Instead of having to purchase or rent heavier PL mount lenses, they can use the same glass and leverage the EPIC’s high-resolution and high frame rates.
Reebok’s Spartan Race is not your ordinary marathon and RED user Greg Harris created this video to prove it. Taking advantage of the EPIC’s slow motion and run-and-gun capabilities, Greg captured obstacle course participants jumping through fire, crawling through mud, and sprinting through the elements. Check out the trailer for this grueling event and see how these Spartans (and the EPIC) fare in these tumultuous conditions.
The second annual Shot on RED Film Festival was held December 5th, 2013 at Thunder Studios in Long Beach, California. Taking home the Festival Prize – which includes the EPIC-X MYSTERIUM-X PRO COLLECTION, an Nvidia K6000 card, a one-year subscription to Adobe Creative Cloud, and a Sharp 4K Panel – was “Close” by Johan Lehman and Jon Lindroth from Sladgeproduction. RED spoke to Johan about the film and the win. “Close” had a unique beginning:
This project started completely backwards actually. The local fire department was going to burn down an old house. So they contacted us and asked us if we wanted to take the opportunity to shoot something. Of course, we had to shoot something. But what? So the brainstorming started. We had two weeks to set everything up and get ready because the date when the house was gonna burn was set in stone.
RED accompanied Tempt Media on their trip to Ensenada, Mexico to cover the Baja 1000. The resulting footage from both Tempt and RED crews is a stunning demonstration of cameras versus the elements. Through rain, dust, heat, sweat, and blood, Tempt covered all 1300 miles of the race from the air and the ground. RED was with them the whole way and captured great moments with the crew as they discussed their team, their gear, and their work.
Tempt Media has even more great RED coverage on their site.
Steven Soderbergh’s Behind the Candelabra took home the Golden Globe for Best TV Movie or Miniseries last night. In addition, Michael Douglas won Best Actor in a Miniseries or TV Movie for his portrayal of Liberace. Robin Wright won Best Actress in a TV Series, Drama for her work on House of Cards.
Both House of Cards and Behind the Candelabra were shot on RED cameras. RED looks forward to more amazing work from these creators and congratulates all the winners from last night.
Uncle Toad’s Media Group (UTMG) has been shooting surfing events for nearly a decade. As they’ve increased their reach, they’ve improved their tools. From cutting-edge mobile DIT/editing stations to their choice of camera, UTMG is constantly improving their capture and workflow. The week before they headed to Hawaii to cover the Vans Triple Crown of Surfing, RED spoke with Jordan Velarde and Chris Steblay about their process, their history and their recent success shooting the US Open of Surfing on RED cameras.
Patagonia has not only established themselves as the leader in outdoor clothing and gear but also set the standard for what it takes to be an environmentally responsible company. They do so by continuously implementing new technologies to reduce their impact on the environment while donating 1% of their sales to preservation and restoration for the planet. RED is delighted to highlight Patagonia and their talented staff photographer / directory of photography, Tim Davis, in the newest RED Collective segment.
Tim Davis produces videos and photographs for Patagonia’s website and catalog. To capture authentic images of the harsh conditions that their clothes and wetsuits have to endure, Tim travels around the world to shoot Patagonia’s Ambassadors (professional athletes) which include such big name surfers as: Gerry Lopez, The Malloy Brothers and Kohl Christensen. Tim is currently shooting on a light-weight SCARLET-X package.
For more information on Patagonia, please visit their website at: Patagonia.com