Oliver Stone’s newest commercial for the World Cup is a multi-layered take on bringing the excitement and passion of the live game to an ad. To capture that excitement, Stone and his crew turned to RED and MoVI from Freefly.
In the video above, cinematographer Rodrigo Prieto talks about their use of MoVI to get into the game itself. This MoVI / EPIC combo is ideal, as Preito says, for
…unusual shots that really are only achievable with this — with a small unit that can go through things, that can change its height. It will really change the way that shooting sometimes happens.
From complicated aerial shots to allowing an actual player to carry the rig, the MoVI handheld gimbal and EPIC combination gave the filmmakers the tools to put the viewer onto the field.
After previewing footage of Ender’s Game at CinemaCon this year, FirstShowing.net raved about the film — shot on RED EPICs:
The battle room and some of the shots there looked 100x better than the teaser poster, and those weren’t even the moments I would call “epic.”
For the second installment of RED Collective, RED spotlights Aron Paul Orton – director/editor for Orange County’s largest independent ad agency, DGWB. Aron has integrated in-house technology while maximizing his team’s talents to offer DGWB’s clients with premium work. For most jobs, Aron shoots with a light-weight SCARLET-X package while working in Adobe Premiere Pro. When higher frame rates are needed, his camera of choice is the EPIC.
For more information on DGWB and to view their work, please visit their website at: www.DGWB.com
Corridor Digital made a name for themselves creating cinema-quality fan films on YouTube. Their first viral hit, Frozen Crossing, was shot on RED ONE. A year later, the company acquired a SCARLET-X and continued their impressive run of short films. Routinely racking up millions of views, Corridor currently has 2.3 million subscribers to their YouTube channel and has developed into a full-fledged production company.
RED went Behind The Scenes with Corridor Digital on a pirate ship where they were filming their latest fan film set in the world of Assassin’s Creed. AC4: The Devil’s Spear was shot on an EPIC and a SCARLET. Their work takes cues from video games, music videos and action films to speak in the language of the web while bringing a theatrical vision to their work.
After taking home 3 Video Music Awards from MTV for videos shot on RED cameras, Macklemore and Ryan Lewis could have rested on their laurels a bit. Instead they wasted no time in releasing White Walls — another ambitious music video celebrating Cadillacs and a cross-section of their eclectic owners. The 6 minute video was shot over 14 days in several different locations in Los Angeles and Seattle.
Movies and Series shot on RED cameras were well-represented in Emmy nominations this year. Last night, at The 65th Annual Primetime Emmy Awards, Behind the Candelabra and House of Cards took home awards.
Behind the Candelabra — which was nominated in 15 categories — won for Miniseries or Movie. Its director, Steven Soderbergh, won Directing for a Miniseries or Movie. Lead actor, Michael Douglas won Outstanding Lead Actor In A Miniseries Or A Movie for his performance of Liberace. The film also won for Outstanding Single-Camera Picture Editing for a Miniseries or a Movie. Soderbergh — as Douglas acknowledged in his acceptance speech — also shot the movie.
Netflix Original Series House of Cards was nominated in 9 categories and won for Outstanding Cinematography for a Single-Camera Series. Creator David Fincher won Directing for a Drama Series as well. House of Cards was notably the first digital series to be nominated in the Outstanding Drama Series category.
Congratulations to directors David Fincher and Steven Soderbergh for their visionary work with RED cameras.
RED Digital Cinema (Booth#7.H37) is pleased to exhibit at the International Broadcasting Convention 12 –17 September 2013 in Amsterdam. RED will also be showcasing 6K DRAGON footage and workflow in the IBC Big Screen room at 14:00 on Friday – 13 September – and at 16:30 on Saturday – 14 September.
Make sure to visit eu.red.com/ibc to catch up-to-date news and images of RED at IBC.
RED Collective unites our community of customers by showcasing their work and experiencing their unique stories. Visit red.com/collective to view RED Collective’s first subject, Greg Hunt.
Pro skateboarder turner filmmaker and photographer, Greg Hunt, has traveled the world to capture the top skateboarding talent in their most extreme elements. In RED’s first Collective feature, Hunt speaks about his love for film, skateboarding and shooting on EPIC.
Stage 5 TV — the video channel of Red 5 Studios, makers of the MMORPG Firefall — recently undertook the ambitious effort to create a cinematic live-action trailer for Firefall in full theatrical glory. The result is something greater than the sum of its parts. Full of eye-popping effects and tense dramatic scenes, the four-and-a-half minute trailer either brings video games into real life or puts viewers directly into a video game — whichever way you want to look at it.
RED was behind the scenes with their crew at Laurel Canyon Stages where they shot the trailer in practical sets and on green screen. Red 5 Studios CEO and Chief Creative Officer Mark Kern and Stage 5 TV director Noah Eichen spoke about the history of Stage 5 and their use of RED cameras to capture everything they shoot — action sports, fashion, talk shows, cinematic trailers.
The Launch Sequence is a simple how-to video designed to assist new RED camera users with the basics of RED camera operation. This video gives you all of the information you need to build a simple configuration, manage your settings, and record.
In this tutorial you will learn how to:
1. Prepare The Camera
2. Define The Project
3. Expose, Focus, and Record
Download the Launch Sequence PDF for an additional resource. Once you’ve completed this video, be sure to check out all of the product demos and tutorials available on RED.com to build on your RED camera and post-production knowledge.