Shopping in United States?       Visit us.red.com

We have set cookies in your browser to help make this website better.

You can find more information about our use of cookies and how we protect your personal information in our   privacy policy .

Your web browser has problems displaying this site.

Make sure you are using the latest version of your browser or consider using   Download Google Chrome Google Chrome   or   Download Mozilla Firefox Mozilla Firefox .

HELIUM 8K S35 Sensor Upgrade for WEAPON Woven CF 6K BRAIN (After 10/10/16)

The HELIUM 8K S35 Sensor Upgrade for WEAPON Woven CF 6K BRAIN increases the shooting potential of your WEAPON BRAIN and upgrades your camera to the WEAPON 8K S35. The HELIUM 8K S35 sensor enables you to shoot motion and stills in 8K 2.4:1 at up to 75 frames per second (fps), or 8K Full Format at 60 fps.

At full 8K resolution, the HELIUM sensor captures 35.4 Megapixel motion and stills. Coupled with 60-75 fps, the WEAPON 8K S35 delivers the most advanced VFX solution—with unmatched creative flexibility, blazing fast 300 MB/s data rates, and simultaneous REDCODE and 4K Apple ProRes or Avid DNxHR recording.

WEAPON 8K S35 owners are also eligible to upgrade to the RED DRAGON 8K VV sensor—when it becomes available.

If you own a WEAPON CF 6K BRAIN and you do not see any eligible SKUs for this upgrade, please verify the material of your BRAIN and the date it was invoiced. For more information, visit our HELIUM 8K S35 Upgrade FAQ.


  • WEAPON Forged CF 6K BRAIN (Before 10/11/16)
  • WEAPON Woven CF 6K BRAIN (After 10/11/16)
  • WEAPON Woven CF 6K BRAIN (Before 10/11/16)
  • WEAPON Woven CF 6K BRAIN (After 10/10/16)

  • IMPORTANTSales tax and shipping fees for your upgrade are TBD. You will only be charged for your upgrade, sales tax, and shipping fees at time of camera shipment.

    WEAPON 8K S35
    SENSOR TYPE HELIUM 35.4 Megapixel CMOS
    EFFECTIVE PIXELS 8192 × 4320
    SENSOR SIZE 29.90 mm x 15.77 mm (Diagonal: 33.80 mm)
    DYNAMIC RANGE 16.5+ stops
    SIGNAL-TO-NOISE-RATIO 80 dB
    MAX DATA RATES Up to 300 MB/s using RED MINI-MAG (480GB & 960GB)
    Up to 225 MB/s using RED MINI-MAG (120GB & 240GB)
    MAX FRAME RATES 1 60 fps at 8K Full Format (8192 × 4320), 75 fps at 8K 2.4:1 (8192 × 3456)
    60 fps at 7K Full Format (7168 × 3780), 75 fps at 7K 2.4:1 (7168 × 3024)
    75 fps at 6K Full Format (6144 × 3240), 100 fps at 6K 2.4:1 (6144 × 2592)
    96 fps at 5K Full Format (5120 × 2700), 120 fps at 5K 2.4:1 (5120 × 2160)
    120 fps at 4K Full Format (4096 × 2160), 150 fps at 4K 2.4:1 (4096 × 1728)
    150 fps at 3K Full Format (3072 × 1620), 200 fps at 3K 2.4:1 (3072 × 1296)
    240 fps at 2K Full Format (2048 × 1080), 300 fps at 2K 2.4:1 (2048 × 864)
    PLAYBACK FRAME RATES
    (PROJECT TIMEBASE)
    23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions
    REDCODE SETTINGS
    RANGE FROM 2:1 UP TO 22:1 1
    5:1 REDCODE for 8K Full Format (8192 × 4320) at 24 fps
    12:1 REDCODE for 8K Full Format (8192 × 4320) at 60 fps
    2:1 REDCODE for 4K Full Format (4096 × 2160) at 24 fps
    3:1 REDCODE for 4K Full Format (4096 × 2160) at 60 fps
    REDCODE RAW
    ACQUISITION FORMATS 2
    8K Full Format (8192 × 4320), 2:1, 2.4:1, 16:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
    7K Full Format (7168 × 3780), 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
    6K Full Format (6144 × 3240), 2:1, 2.4:1, 16:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
    5K Full Format (5120 × 2700), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
    4K Full Format (4096 × 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
    3K Full Format (3072 × 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
    2K Full Format (2048 × 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
    APPLE PRORES 422 HQ, 422 and 422 LT at 4K (4096 × 2160) up to 29.97 fps
    4444 XQ and 4444 at 2K (2048 × 1080) up to 120 fps
    422 HQ, 422 and 422 LT at 2K (2048 × 1080) up to 120 fps
    AVID CODECS 3 DNxHR HQX at 4K (4096 × 2160) 12-bit up to 29.97 fps
    DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps 
    DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps
    DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps
    DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps 
    CONSTRUCTION Carbon Fiber, Magnesium, and Aluminum Alloy
    WEIGHT 3.3 lbs (BRAIN with Integrated Media Bay)
    OPERATING TEMPERATURE 0°C to 40°C (32°F to 104°F)
    STORAGE TEMPERATURE –20°C to 50°C (–4°F to 122°F)
    RELATIVE HUMIDITY 0% to 85% non-condensing
    COLOR MANAGEMENT Supports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs
    Variable number of 3D LUT outputs with DSMC2 expander module
    User programmable shaper 1D LUTs
    Tetrahedral interpolation, 16-bit processing
    AUDIO Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz
    Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz
    REMOTE CONTROL Integrated REDLINK WiFi antenna
    Ethernet, RS232, and GPI Trigger with DSMC2 expander module
    MONITOR OUTPUTS 3G-SDI (HD-SDI) and HDMI with DSMC2 expander module
    1080p RGB or 4:2:2, 720p RGB or 4:2:2
    480p RGB or 4:2:2 (HDMI only)
    SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio
    MONITOR OPTIONS DSMC2 RED Touch 4.7" LCD, DSMC2 RED Touch 7.0" LCD and DSMC2 RED EVF (OLED) with cable-free connection.
    RED Touch 9.0" LCD, RED Touch 7.0" LCD, RED Touch 5.0" LCD, RED PRO 7" LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LEMO Adaptor A and LCD/EVF cable.
    REDCINE-X PRO
    DELIVERY FORMATS
    4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
    2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
    1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF
    1080p 4:2:0, 720p 4:2:0 : H.264, .MP4
    VIDEO EDITING SOFTWARE
    COMPATIBILITY 4
    Adobe Premiere Pro, AVID Media Composer,
    DaVinci Resolve, Edius Pro, Final Cut Pro, Vegas Pro

    1. REDCODE values and max frame rates may vary based on selected acquisition format, aspect ratio, project time base, Lookaround setting, and SSD. For more information on available REDCODE compression settings for all formats, see the DSMC Media Operation Guide.
    2. For more information on available acquisition formats, see the DSMC Operation Guides.
    3. Avid DNxHD/HR Codecs recording support added to DSMC2 firmware v6.3 or later.
    4. Third-party non-linear editing (NLE) applications may have limited compatibility with R3D files.

    $9,500.00

    SKU# current_sku.sku

    Please Sign In to see if you are eligible.

    Sign In

    Financing Available via SoCal Leasing
    Applicable to US & Canadian Residents Only