DSMC2 MONSTRO 8K VV Sensor Upgrade

SKU#: MON-UP

$39,500.00
Request

UPGRADES AVAILABLE NOW.



SPECIAL PRICING AVAILABLE FOR WEAPON 8K S35 (LIMITED EDITION) AND 8K VV ANA BRAINS. CONTACT YOUR SALES REPRESENTATIVE FOR INFORMATION.



The DSMC2 MONSTRO 8K VV SENSOR UPGRADE increases the shooting potential of your BRAIN and upgrades your camera to DSMC2 MONSTRO. The MONSTRO 8K VV sensor enables you to shoot motion and stills in 8K 2.4:1 at up to 75 frames per second (fps), or 8K Full Format at 60 fps with a sensor size of 40.96 mm x 21.60 mm. The warranty on your original BRAIN carries over to your new one.



At full 8K resolution, the MONSTRO sensor captures 35.4 Megapixel motion and stills. An evolutionary step beyond previous 8K sensors, the MONSTRO sensor has improved overall image quality including dynamic range and shadow detail, and delivers the most advanced VFX solution, with unmatched creative flexibility, in-camera IPP2, blazing fast 300 MB/s data rates, and simultaneous REDCODE and 4K Apple ProRes or Avid DNxHR recording.



NOTE: Your lens mount and OLPF will be upgraded with your camera to conform to 8K VV.

SENSOR TYPEMONSTRO 35.4 Megapixel CMOSHELIUM 35.4 Megapixel CMOS*GEMINI 15.4 Megapixel Dual Sensitivity CMOS
EFFECTIVE PIXELS8192 × 43208192 × 43205120 × 3000
SENSOR SIZE40.96 mm x 21.60 mm (Diagonal: 46.31 mm)29.90 mm x 15.77 mm (Diagonal: 33.80 mm)30.72 mm x 18.0 mm (Diagonal: 35.61 mm)
DYNAMIC RANGE17+ stops16.5+ stops16.5+ stops
MAX FRAME RATES160 fps at 8K Full Format (8192 x 4320), 75 fps at 8K 2.4:1 (8192 x 3456)



60 fps at 7K Full Format (7168 x 3780), 75 fps at 7K 2.4:1 (7168 x 3024)



75 fps at 6K Full Format (6144 x 3240), 100 fps at 6K 2.4:1 (6144 x 2592)



96 fps at 5K Full Format (5120 x 2700), 120 fps at 5K 2.4:1 (5120 x 2160)



120 fps at 4K Full Format (4096 x 2160), 150 fps at 4K 2.4:1 (4096 x 1728)



150 fps at 3K Full Format (3072 x 1620), 200 fps at 3K 2.4:1 (3072 x 1296)



240 fps at 2K Full Format (2048 x 1080), 300 fps at 2K 2.4:1 (2048 x 864)
75 fps at 5K Full Height 1.7:1 (5120 x 3000)



96 fps at 5K Full Format (5120 x 2700), 120 fps at 5K 2.4:1 (5120 x 2160)



120 fps at 4K Full Format (4096 x 2160), 150 fps at 4K 2.4:1 (4096 x 1728)



150 fps at 3K Full Format (3072 x 1620), 200 fps at 3K 2.4:1 (3072 x 1296)



240 fps at 2K Full Format (2048 x 1080), 300 fps at 2K 2.4:1 (2048 x 864)
MAX DATA RATESUp to 300 MB/s using RED MINI-MAG (480GB & 960GB)

Up to 225 MB/s using RED MINI-MAG (120GB & 240GB)
PLAYBACK FRAME RATES

(PROJECT TIMEBASE)
23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions
REDCODE SETTINGS

RANGE FROM 2:1 UP TO 22:11
5:1 REDCODE for 8K Full Format (8192 x 4320) at 24 fps



12:1 REDCODE for 8K Full Format (8192 x 4320) at 60 fps



2:1 REDCODE for 4K Full Format (4096 x 2160) at 24 fps



3:1 REDCODE for 4K Full Format (4096 x 2160) at 60 fps
3:1 REDCODE at 5K Full Height (5120 x 3000) and 24 fps



6:1 REDCODE at 5K Full Height (5120 x 3000) and 60 fps



2:1 REDCODE at 5K Full Format (5120 x 2700) and 24 fps



8:1 REDCODE at 5K Full Format (5120 x 2700) and 96 fps



2:1 REDCODE at 4K Full Format (4096 x 2160) and 24 fps



6:1 REDCODE at 4K Full Format (4096 x 2160) and 120 fps
REDCODE RAW

ACQUISITION FORMATS2
8K Full Format (8192 x 4320), 2:1, 2.4:1, 16:9, 14:9, 8:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x



7K Full Format (7168 x 3780), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x



6K Full Format (6144 x 3240), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x



5K Full Format (5120 x 2700), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x



4K Full Format (4096 x 2160), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, 1:1, and Ana 2x, 1.3x



3K Full Format (3072 x 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x



2K Full Format (2048 x 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
5K Full Height 1.7:1 (5120 × 3000), 5K Full Height 6:5 (3600 × 3000), and Ana 2x, 1.3x



5K Full Format (5120 × 2700), 2:1, 2.4:1, 16:9, 4:1, 8:1, and Ana 2x, 1.3x



4K Full Format (4096 × 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x



3K Full Format (3072 × 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x



2K Full Format (2048 × 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
APPLE PRORESProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 30 fps

ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps

ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps
AVID CODECS3DNxHR HQX at 4K (4096 × 2160) 12-bit up to 30 fps

DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 30 fps

DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps

DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps

DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps
CONSTRUCTIONAluminum Alloy
WEIGHT3.35 lbs (BRAIN with Integrated Media Bay)
OPERATING TEMPERATURE 0°C to 40°C (32°F to 104°F)
STORAGE TEMPERATURE–20°C to 50°C (–4°F to 122°F)
RELATIVE HUMIDITY0% to 85% non-condensing
COLOR MANAGEMENTSupports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs

Variable number of 3D LUT outputs with DSMC2 expander module

User programmable shaper 1D LUTs

Tetrahedral interpolation, 16-bit processing
AUDIOIntegrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz

Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz
REMOTE CONTROLIntegrated R.C.P. WiFi antenna

Ethernet, RS232, and GPI Trigger with DSMC2 expander module
MONITOR OUTPUTS3G-SDI (HD-SDI) and HDMI with DSMC2 expander module

1080p RGB or 4:2:2, 720p RGB or 4:2:2

480p RGB or 4:2:2 (HDMI only)

SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio
MONITOR OPTIONSDSMC2 RED Touch 4.7" LCD, DSMC2 RED Touch 7.0" LCD and DSMC2 RED EVF (OLED) with cable-free connection.

RED Touch 9.0" LCD, RED Touch 7.0" LCD, RED Touch 5.0" LCD, RED PRO 7" LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LEMO Adaptor A and LCD/EVF cable.
REDCINE-X PRO

DELIVERY FORMATS
4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)

2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)

1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF

1080p 4:2:0, 720p 4:2:0 : H.264, .MP4
VIDEO EDITING SOFTWARE

COMPATIBILITY4
Adobe Premiere Pro, AVID Media Composer,

DaVinci Resolve, Edius Pro, Final Cut Pro, Vegas Pro

Tech specs reflect both current and projected information. Everything is subject to change.



1. REDCODE values and max frame rates may vary based on selected acquisition format, aspect ratio, project time base, Lookaround setting, and SSD. For more information on available REDCODE compression settings for all formats, see the DSMC Media Operation Guide.

2. For more information on available acquisition formats, see the DSMC Operation Guides.

3. Avid DNxHD/HR Codecs recording support added to DSMC2 firmware v6.3 or later.

4. Third-party non-linear editing (NLE) applications may have limited compatibility with R3D files.