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Eden: Untamed Planet
June 9th, 2022

“Eden: Untamed Planet” allows its viewers to travel to the far corners of the world and see Earth’s few remaining untouched lands, all flourishing with rich biodiversity. Life in Earth’s secret spots exists as nature truly intended. Go behind the scenes with series producers who reflect on their travels and challenges to share these unique and breathtaking environments. Narrated by BAFTA Award-winning actress Helena Bonham Carter, “Eden: Untamed Planet” is available on BBC AMERICA and AMC +

Episode 1 – Borneo: Sacred Forest

Ingrid Kvale shares the challenges her team faced filming in hot and humid Borneo. “We had to scramble up sharp, slippery rocks to reach the top of a cave where we waited until sunset for hornbills to hunt the emerging bats. We spent several weeks inside the cockroach-infested cave, which wasn’t the most comfortable place to work, but it was incredibly exciting to see the diverse wildlife that lived there. We also tracked fast moving orangutans through dense, leech-infested jungles. It was quite hard to keep up with them across the difficult terrain of dense forest and muddy slopes in the heat and humidity. The trackers had to monitor them all around the clock - from before they woke up to where they would sleep each night, and then they had to hurry back to the same spot in the morning otherwise we would lose sight of them. Filming in Borneo’s dense tropical jungle, we needed a robust camera system that was excellent in low light. The RED GEMINI was the best choice for this environment, with its S35 low light sensor and dual ISO modes. It didn’t let us down.”

 
 

Episode 2 – Namib: Skeleton Coast and Beyond

The Namib Desert is one of the oldest and most diverse deserts on the Earth. “It’s a vast place, stretching a thousand miles along the whole of Namibia’s Atlantic coastline, so nothing is ever round the corner,” explains Eden Producer Hannah Hoare. “Travel is slow going and the terrain is tough. To make our shoots possible we worked with a team of people, led by our location manager Paul Brehem, who knew every nook of the Namib. It doesn’t really feel like Earth. Driving through such spectacular landscapes gave me the sense I’d traveled to another planet. When humans finally set foot on Mars, I’m pretty sure it’ll be like the Namib. That otherworldliness was a key element to capture for this episode and the RED HELIUM was the perfect tool for the job. Exceptional depth of color and dynamic range brought that Martian-like color palette to the screen and really did the breathtaking landscapes justice.”

Episode 3 – Luangwa: The Emerald Valley

Valeria Fabbri-Kennedy, who produced the episode in Luangwa, says the extreme seasonal changes and weather made filming a challenge. “The dry season is very hot and dusty, and the wet season brings big storms and vast flooding. Some of our filming locations in the north were very remote, and only accessible by foot, which was tough going and potentially dangerous (megafauna, lions, crocodiles, snakes). The series, as a whole, is very character driven, so we wanted to feel we were in our characters’ world as much as was possible – shooting close, low, POVs, on the move. We wanted viewers to really get a sense of the place, including the scale of the valley and the river, and when big changes were happening. Aerials and lapsed time were important.”

Episode 4 – Galapagos: Enchanted Isles

Producer Jo Haley recalls, “The wildlife in Galapagos is famously tame, having evolved with few predators. But it also inhabits some of the most remote islands on Earth - so our main challenge was access. To overcome this, we lived on a boat for four months of the filming year, completely out of signal range. Our biggest hurdle was getting expensive kit on and off the islands each day, onto lava cliffs in wild seas. But it was worth it! Proximity to the animals allowed a very immersive shooting style: for example, scope lenses on vampire finches, a jib around hawks, and underwater split-screen on sea lions. I chose this ‘close and wide’ style for its intimacy, allowing us to get into the characters’ worlds and see the story unravel through their eyes.”

Episode 5 – Patagonia: The Ends of the Earth

The Andes Mountains, the longest mountain range on the planet, are the backbone of the Patagonia region. Producer Justine Allan explains, “These peaks have great influence on all life here, creating challenging habitats at the summits and a richness of species across low lying fjords and forests. The visual style of the film is very much linked into the landscape – parts unchanged since Darwin’s expedition, but also vast areas degraded by farming. The crew worked off the grid, waiting out notorious weather to film flamingos, pumas, condors, mountain monkeys (monito del monte), penguins, and more. I have newfound respect for flamingos who endure high altitude, high UV radiation, and extreme wind and salt. Day-old chicks fight the elements with just their feathers while we had loads of gear on! I hope viewers are surprised and intrigued by the survival strategies of Patagonia’s wildlife in each habitat.”

Episode 6 – Alaska: Last American Frontier

Producer Emma Fraser shares their experience while shooting in Alaska: The Last American Frontier. “We wanted to try and achieve a blend of a cinematic and immersive feel to this episode, showing the stunning wide landscapes of the Alaskan wilderness combined with the intimate behaviors, details and perspectives of our individual characters. The team went out for a 10-week shoot, camping in below zero conditions. Camp was small and contained to minimize impact. To get to the filming location, the crew had to carry all their kit for an hour across an ancient lava field. But perseverance paid off, and in the final few days of the shoot, the team managed to film grizzlies foraging on the beach. Kit maintenance was essential – and to mitigate the effects of rain, sand, wind and cold temperatures, the team used waterproof covers, cleaned the kit daily, and tried to keep the kit at a constant temperature, even resorting to handwarmers!”

Producer Emma Fraser shares their experience while shooting in Alaska: The Last American Frontier. “We wanted to try and achieve a blend of a cinematic and immersive feel to this episode, showing the stunning wide landscapes of the Alaskan wilderness combined with the intimate behaviors, details and perspectives of our individual characters. The team went out for a 10-week shoot, camping in below zero conditions. Camp was small and contained to minimize impact. To get to the filming location, the crew had to carry all their kit for an hour across an ancient lava field. But perseverance paid off, and in the final few days of the shoot, the team managed to film grizzlies foraging on the beach. Kit maintenance was essential – and to mitigate the effects of rain, sand, wind and cold temperatures, the team used waterproof covers, cleaned the kit daily, and tried to keep the kit at a constant temperature, even resorting to handwarmers!”


Credits:
Helena Bonham Carter @helenabonhamcarter_offical
Justine Evans @justineevans02
Jack Hynes @jackhynes
Roger Munns @roger.munns
Chris Tan @christan76
Will Foster-Grundy @willfostergrundyfilm
Ollie @ollie_deppert
Olly Jelley @ollyjelley
Mark Brownlow @mark.brownlow.16
Adam Coates @adammcoates
Francesca Maxwell @instafrangipan
Lauren Jackson @laurenstagram1
Cede Prudente Borneo @cede_prudente_borneo
Luke Barnett @luke_barnett_cameraman
Taylor Turner @taylorjohnturner
Shane Moore @shane_moore_jh
Oscar Furness @feralphotographer
Tom Ross @the_wild_operator
Domenico Pontillo @dompontillo
Dave Mothershaw @davemothershaw
Tom Walker @tomwalkercam
Richard Hilton Szkiller @richardszkiler
Santiago Cabral @cabralsantiago_
Lindsay McCrae @badgerboy05
Tom Crowley @tomcrowley_cameraman
Sam Stewart @sams_natural_habitat
Rowan Aitchison @rowanaitchison
Hector Skevington-Postles @hectorskevingtonpostles
Dan Beecham @danbeecham
Javier Mahauad @javier_mahauad
Joshua Vela-Fonseca @joshuavelaf
Will Steenkamp @will_intonature
Lianne Steenkamp @lianne_intonature
Sam Oakes @samoakesfilms
Ralph Bower @ralphbower
Louis Labrom @louislabrom
Kevin Flay
Nathan Pilcher
Paul Klaver
Greg Nelson
Luke Nelson
Pete McCowen