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The RED ONE redefined digital cinema upon its arrival, democratizing 4K capture and challenging the status quo. Utilizing an S35mm image plane, the RED ONE displays a natural depth of field from 2K to 4.5K resolutions. Seize every moment with the ability to capture anywhere from 1-120 fps onto high-speed RED CF or SSD media. Interchangeable lens mounts and free firmware updates keep the RED ONE versatile, letting you and your equipment thrive on the cutting edge. A revolution always starts with ONE.

4K  Revolution

Since its arrival, the RED ONE has established a pedigree of Oscar winning films, 3D features, and even magazine covers that have solidified its reputation as a reliable workhorse. Introduced as the purest digital alternative to 35mm film, the RED ONE has shot some of the most influential films of our time - from “Che” to “The Social Network”. Its ability to sustain brilliant 4K images in even the toughest environments has contributed to its enduring success as one of the greatest digital cinema cameras of all time.

Solid Firmware


With over 5 years of experience, the RED ONE has matured to become as stable as it is powerful. Continually evolving firmware keeps your RED ONE up-to-date, ensuring that your camera is always satisfying the highest standards of performance. The addition of the Mysterium-X sensor and improved audio capabilities has contributed to the success and longevity of the RED ONE. Now with the ability to reach up to 4.5K, RED firmware continues to bring out the best of the best.

Covers Covered

Covers  Covered

Photography icons from Bruce Weber to Greg Williams have used RED cameras to shoot for the most influential fashion magazines in the world. Vogue, Harpers Bazaar, and W magazine have all counted on RED DSMC for covers, photo spreads and video content—getting the most out of every shoot.

Color Grading

Grading  On A Curve

REDCINE-X PRO software provides you with a wealth of integrated tools to import, finish, and export your images within minutes. Offload your media using one of our RED STATIONs and process your images with familiar grading modules and filters. Whether you’re working with a stills or motion workflow, REDCINE-X PRO hosts an array of advanced features to support your workflow from end to end. Take advantage of your RAW potential with REDCINE-X PRO—available free only on

3D Friendly

3D Friendly

A combination of 4K resolution, fluid compatibility, and RAW flexibility has made the RED ONE a favorite for 3D features and events. High-resolution RAW files let you correct zoom disparities and adjust convergence without corroding the quality of your image. With the ability to preview, export, and adjust HIT/VIT for 3D images within REDCINE-X PRO, your 3D workflow just got easier.


5X  HD

A robust 4K sensor with over 13 stops of dynamic range has distinguished the RED ONE as an ideal counterpart to 35mm film. With over 5x the detail of HD, the RED ONE has antiquated what was once cutting-edge, setting technical benchmarks and establishing new standards in digital cinema. High-resolution RAW files provide editors, colorists, and VFX artists with a large, flexible palette – making it easier to composite, grade, and finish for theatrical distribution. Seamless scaleability allows the RED ONE to transition into HD, 2K, or 4K workflows without ever losing its initial quality.

Choose Your Weapon

Choose Your  Weapon

Take advantage of a vast inventory of optics with the ability to switch promptly between PL and Nikon mounts. The RED ONE allows for the use of 35mm and 16mm PL mount lenses alongside a renowned catalog of Nikon stills glass, encouraging an array of options when it comes to making your artistic decisions. No two perspectives are ever the same, which is why the RED ONE lets you choose your own.

Preset Your Look.
Before You Shoot.

The RED ONE features the capability to import and export looks, letting you and your client preview a color grade on set before ever pressing record. Define your perfect looks using REDCINE-X PRO software and transfer them between your RED ONE and computer using an SD card. If you want to change the look you’ve created, simply adjust the metadata in-camera or on REDCINE-X PRO.



Unlike common HD RGB files, REDCODE RAW grants you the freedom to define and color grade your image - without compromising quality. REDCODE metadata preserves a non-destructive environment, letting you manipulate and grade your image without tarnishing your original footage. If you want to adjust your color temperature or gamma settings, simply bring your RAW files into REDCINE-X PRO to fine-tune and polish your look for export. With the flexibility to correct and adjust metadata in post, REDCODE RAW offers you the assurance that you’ll always end up with the look you want.

PIXEL ARRAY 5120 (h) x 2700 (v)
MAX IMAGE AREA 4480 (h) x 2304 (v)
LENS COVERAGE 24.2mm (h) x 12.5mm (v) x 27.3 mm (d)
MAX DEPTH OF FIELD Equivalent to S35mm (Motion) lens
Equivalent to 16mm (Motion) lens in 2K RAW
PROJECT TIMEBASE 23.98, 24, 25, 29.97 fps @ 4K and 4.5K resolution
50, 59.94fps @ 2K and 3K resolution
RECORDING FRAME RATES  1–30 fps @ 4.5K, 4K
1–60 fps @ 3K
1–120 fps @ 2K
REDCODE COMPRESSION 12-bit RAW : RC28, 36, 42 Quality Levels
4.5K (2.4:1)
4K (16:9, HD, 2:1, and Anamorphic 2:1)
3K (16:9, 2:1, and Anamorphic 2:1)
2K (16:9, 2:1, and Anamorphic 2:1)
DELIVERY FORMATS1 4K: DPX, TIFF, OpenEXR (.RED via RRencode Plugin)
2K: DPX, TIFF, OpenEXR (.RED via RRencode Plugin)
1080p RGB or 4:2:2, 720p 4:2:2 : Quicktime, JPEG
Avid AAF, MXF. 1080p 4.2.0, 720p 4:2:0 : H.264, .MP4
MONITOR OUTPUTS HD-SDI and HDMI with Frame Guides and Look Around
720p RGB or 4:2:2
SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio
RED PRO LCD 7" Flat Panel Display
BOMB EVF (LCOS) High Definition Viewfinder
BOMB EVF (OLED) High Definition Viewfinder
AUDIO 4 channel, uncompressed, 24-bit 48 kHz
WEIGHT 10 lbs (Body only)
OPERATING TEMPERATURE 0°C to 40°C (32°F to 104°F)
STORAGE TEMPERATURE –20°C to 50°C (–4°F to 122°F)