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Get to know the core components of a RED camera, explore the features and best practices when shooting and editing footage, and how to prep for a shoot on the V-RAPTOR XL, V-RAPTOR, KOMODO, and DSMC2 systems.

The REDTECH series provides overviews of the RED products and features. Everything from camera basics to tips-and-tricks, post-production workflow, and much more.

Recorded episodes of RED’s live digital education series. The team deep-dives on topics ranging from new products to best practices when pulling stills from motions, understanding ISO and everything in-between. New episodes air live on RED’s YouTube channel.

For those looking for a more hands-on, personal, and robust experience. RED offers REDUCATION, our real-world training taught by the some of the industry’s best professionals or an approved third-party experience via The Filmmaker Institute.

ADOBE PREMIERE PRO & WORKFLOW GUIDES

APPLE Final Cut 7

Assignable Keys

AVID WORKFLOW GUIDE

Black Shade Calibration

Black Shading Calibration

Chroma Subsampling Techniques

Color Management with Cinema

Color vs. Monochrome Sensors

EPIC BMW Behind the Scenes - Workflow

Exploring Infrared Cinematography

Exposure with RED Cameras: False Color & Zebra Tools

Exposure with RED Cameras: In-Camera Histogram Tools

Exposure with RED Cameras: Strategy

Firmware v3.3 Overview

Flicker-Free Video Tutorial

Formatting

G-Technology G-Dock and File Format

GEMINI Sensor with Dual Sensitivity

Gimbals

Global & Rolling Shutters

Handheld Option

HDR

High Dynamic Range Video with HDRx

High Frame Rate Video Playback

Human Eyesight & 4K Viewing

Image Processing Pipeline [IPP2] Overview

In-Camera User Interface [IPP2]

INSTANT 4K CINEMA

Intro to Grading with REDCINE-X

Intro to Slow Motion Video

ISO Settings

ISO Speed Revisited

Lens Mounts

Low Light Capture

Motion Capture at 4K and Beyond

Mythbusters

Optical Low-Pass Filters (OLPFs)

Panning Speed Best Practices

Power

Pre-Record

Premiere Pro CC (2015) RED Overview

REAL-TIME 8K WORKFLOW WITH NVIDIA GPUS

RED Apple Workflow: Final Cut Pro X Plugin

RED DIGITAL CINEMA AND NVIDIA MAKE REAL-TIME 8K WORKFLOW A REALITY

RED POST PRODUCTION

RED RANGER with MONSTRO 8K VV

RED RANGER with MONSTRO 8K VV

REDCINE-X PRO: Audio Sync

REDCINE-X PRO: Cinephotography - Motion to Stills Workflow

REDCINE-X PRO: Exporting

REDCINE-X PRO: General Overview

REDCINE-X PRO: Overview of the Look Panel

REDCINE-X PRO: Saving Looks to Camera

REDCINE–X PRO [IPP2] Overview

REDCODE RAW

RESOLUTION RAW REDCODE

Resolution vs. Aliasing: Implications for Motion Capture

RMD Files & Non-Destructive Editing

Shooting Video For Stills

Shutter Angles & Creative Control

Stills Photographer Intro to Video

Temporal Aliasing with Cinema

The Bayer Sensor Strategy

Understanding Anamorphic Lenses

Understanding Lens Vignetting

Understanding Low Contrast Filters

Understanding REDlogFilm and REDgamma

Understanding Resolution

Understanding Sensor Crop Factors

Upscaled 1080P vs Native 4K

Using White Balance to Control Color Casts

Video Aspect Ratios

What is RED Tech?

Wireless Control