V-RAPTOR XL
AN EXPANSION OF THE MOST POWERFUL AND ADVANCED RED® CAMERA PLATFORM EVER. V-RAPTOR XL INCLUDES THE I/O, FEATURES, AND WORKFLOWS LARGE-SCALE PRODUCTIONS WANT IN AN ALL-IN-ONE BODY.
AN EXPANSION OF THE MOST POWERFUL AND ADVANCED RED® CAMERA PLATFORM EVER. V-RAPTOR XL INCLUDES THE I/O, FEATURES, AND WORKFLOWS LARGE-SCALE PRODUCTIONS WANT IN AN ALL-IN-ONE BODY.
V-RAPTOR XL IS THE PERFECT SOLUTION TO SUPPORT HIGH-END TELEVISION, MOTION PICTURE PRODUCTIONS, AND PROFESSIONAL PROJECTS REQUIRING AN ALL-IN-ONE SOLUTION.
V-RAPTOR XL IS AVAILABLE WITH TWO SENSOR OPTIONS. USERS CAN EITHER CHOOSE THE VERSATILITY AND LOWLIGHT PERFORMANCE OF THE MULTI-FORMAT8K VV + 6K S35 SENSOR OR THE DEDICATED 8K S35 VERSION AS AN OPTION FOR 8K CAPTURE OF THEIR S35 LENSES.
CHOOSE THE VERSATILITY AND LOWLIGHT PERFORMANCE OF THE MULTI-FORMAT8K VV + 6K S35 SENSOR OR THE DEDICATED 8K S35 VERSION FOR 8K CAPTURE OF THEIR S35 LENSES.
WITH TWO SENSOR OPTIONS, CUSTOMERS CAN CHOOSE THE SENSOR FORMAT THAT IS MOST COMPATIBLE WITH THEIR LENS CHOICES AND THE ONE THAT BEST SUITS THEIR SHOOTING STYLE.
CUSTOMERS CAN CHOOSE THE SENSOR FORMAT THAT IS MOST COMPATIBLE WITH THEIR LENS CHOICES AND BEST SUITS THEIR SHOOTING STYLE.
Fujinon Premista 19-45mm
cinema zooms
Zeiss 28-80mm
CINEMA ZOOMS
Sigma 135mm
CINEMA ZOOMS
ATLAS ORION
ANAMORPHIC PRIMES
Entaniya HAL 220 LF
SPECIALTY LENS
Leica Thalia
LARGE FORMAT CINEMA PRIMES
FUJINON 25-1000 F2.8 Zoom
BROADCAST ZOOMS
Canon CINE-SERVO 50-1000mm T5.0-8.9 PL
WILDLIFE ZOOMS
Optimo Style 25-250 4th Generation
of 10x Spherical Zoom Lens
CINEMA ZOOMS
Arri Zeiss Super Speeds
VINTAGE CINEMA PRIMES
SUMMILUX-C | Leitz Cine
MODERN CINEMA PRIMES
V-RAPTOR 8K VV multi-format sensor offers unmatched lens selection and creative flexibility for any production from high-end cinema to independent films. These lenses are just a few examples of what makes a perfect match with the V‑RAPTOR 8K VV.
V-RAPTOR 8K VV multi-format sensor offers unmatched lens selection and creative flexibility. These lenses are just a few examples of what makes a perfect match with the V‑RAPTOR 8K VV.
V-RAPTOR 8K S35 SENSOR OFFERS THE WIDEST LENS SELECTION AT THE HIGHEST RESOLUTION. CAPTURE SMOOTH AND FAITHFUL CHARACTER FROM CLASSIC CINEMA LENSES TO BROADCAST ZOOMS. THESE LENSES ARE JUST A FEW EXAMPLES OF WHAT MAKES A PERFECT MATCH WITH THE V‑RAPTOR 8K S35.
V-RAPTOR 8K S35 SENSOR OFFERS THE WIDEST LENS SELECTION AT THE HIGHEST RESOLUTION. THESE LENSES ARE JUST A FEW EXAMPLES OF WHAT MAKES A PERFECT MATCH WITH THE V‑RAPTOR 8K S35.
“The V-RAPTOR XL has everything we need. We already knew the V-RAPTOR sensor produces great images, but now with added features that come with XL, we're even more excited. The internal ND system has an amazing benefit to our production methodology. We're shooting wide open all the time, so that is just vital. The XL is an amazing studio camera. With technology like this, there’s no excuses left, now it’s on you.” – Zack Snyder, Director / Cinematographer
See videoThe V-RAPTOR XL features an all-new electronic ND system which provides unprecedented precision controls for no-compromise exposure management.
Cycle through 1/4, 1/3 or full stop increments to choose exact exposures without compromising the intended shutter speed or aperture. Includes various methods of control via dedicated buttons, LCD display, monitor, or remotely via APP / RCP2.
The V-RAPTOR XL features an all-new electronic ND system which provides unprecedented precision controls for no-compromise exposure management.
WATCH REDTECHV-RAPTOR XL Features the most flexible and robust power and I/O ecosystem available in the market today. 4K and HD SDI monitoring, support for direct-attach monitor, discreet LUT management, intuitively placed power outputs, all designed to support large productions.
“I really am excited about how much more space for accessories, additional power supply, and outputs the XL offers. Not just that but being able to speed things up and be more efficient with the internal ND's means no more switching filters in and out, we can just adjust wirelessly. It gives us everything we need to do our job efficiently.” – Braden Batsford, First AC
See videoOffering the widest power source compatibility of any comparable cinema camera.
With the versatility to utilize 24-34V high-voltage batteries with multiple auxiliary power outputs, transforming the V-RAPTOR XL into the power management hub for all accessories, or standard 12V-16V batteries when auxiliary power is not needed.
Offered in both industry standard V-Lock and Gold Mount bodies, choose the power option to suit your needs.
Compatible with Standard 14v and 26v V-Lock, Gold Mount, Gold Mount Plus and Core SWX Helix batteries for maximum flexibility.
V-RAPTOR XL features in-camera AI processing and on-sensor enhanced phase detect autofocus, offering the versatility and confidence for users to bring its unparalleled cinematic image performance into new worlds. Upcoming enhancements also include face detection and object tracking.
V-RAPTOR XL provides multiple camera side solutions for filmmakers to confidently enter the quickly evolving worlds of virtual and remote production without compromising on image quality or camera system performance.
Without the restrictions of a wired connection, filmmakers and crew can benefit from the convenience and versatility of how and where they choose to sync.
Seamlessly bring the RED Cinematic look beyond cinema and into the world of sports, music, and more with V-RAPTOR XL supporting sync over PTP, cabled tri-level genlock, or wirelessly through the ACN network.
* Image includes additional 3rd party accessories
THE SIZE AND FEATURES OF THE V-RAPTOR AND V-RAPTOR XL SYSTEMS OFFER THE PERFECT TOOL FOR THE FILMMAKERS NO MATTER THE PROJECT OR JOB.
Sensor Specs | |
---|---|
V-RAPTOR XL 8K VVV-RAPTOR XL 8K S35 | |
Sensor Type | V-RAPTOR™ 8K VV 35.4 Megapixel CMOS V-RAPTOR™ 8K S35 35.4 Megapixel CMOS |
Effective Pixels | 8192 × 4320 8192 × 4320 |
Sensor Size | 40.96 mm x 21.60 mm (Diagonal: 46.31 mm) 26.21 mm x 13.82 mm (Diagonal: 29.63 mm) |
Dynamic Range | 17+ stops 16.5+ stops |
Key Features | |
Built-in ND | Motorized clear filter and precision controlled electronic ND filter Electronic ND minimum density 2 stops, maximum density 7 stops Electronic ND selectable increments of 1/3 stops, 1/4 stops, and 1 stop |
Mount Type | Interchangeable Lens Mount Included V-RAPTOR XL PL Mount with /i Support Supports V-RAPTOR XL Locking Canon EF Mount Accepts DSMC Lens Mounts, but does not provide electronic communication or control. |
Battery Type | Integrated Dual Voltage 14/26V V-Lock or Gold Mount Battery Interface |
Recording | |
Max Data Rates | Up to 800 MB/s using RED branded or other qualified CFexpress media cards1 |
REDCODE® RAW MAX FRAME RATES | 120 fps at 8K 17:9 (8192 x 4320), 150 fps at 8K 2.4:1 (8192 x 3456) 140 fps at 7K 17:9 (7168 x 3780), 175 fps at 7K 2.4:1 (7168 x 3024) 160 fps at 6K 17:9 (6144 x 3240), 200 fps at 6K 2.4:1 (6144 x 2592) 192 fps at 5K 17:9 (5120 x 2700), 240 fps at 5K 2.4:1 (5120 x 2160) 240 fps at 4K 17:9 (4096 x 2160), 300 fps at 4K 2.4:1 (4096 x 1728) 320 fps at 3K 17:9 (3072 x 1620), 400 fps at 3K 2.4:1 (3072 x 1296) 480 fps at 2K 17:9 (2048 x 1080), 600 fps at 2K 2.4:1 (2048 x 864) |
PLAYBACK FRAME RATES (PROJECT TIME BASE) | 23.98, 24, 25, 29.97, 30, 50, 59.94, 60 fps, all resolutions |
BEST AVAILABLE REDCODE® SETTINGS | REDCODE HQ, MQ and LQ at 8K 17:9 (8192 x 4320) up to 60 fps REDCODE LQ at 8K 17:9 (8192 x 4320) up to 120 fps REDCODE HQ, MQ and LQ at 6K 17:9 (6144 x 3240) up to 96 fps REDCODE MQ and LQ at 6K 17:9 (6144 x 3240) up to 160 fps REDCODE HQ, MQ and LQ at 4K 17:9 (4096 x 2160) up to 240 fps REDCODE HQ, MQ and LQ at 2K 17:9 (2048 x 1080) up to 480 fps |
REDCODE® RAW ACQUISITION FORMATS | 8K 17:9 (8192 x 4320), 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 2x, 1.8x, 1.6x, 1.5x, 1.3x, 1.25x 7K 17:9 (7168 x 3780), 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 2x, 1.8x, 1.6x 6K 17:9 (6144 x 3240), 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 1.5x, 1.3x, 1.25x 5K 17:9 (5120 x 2700), 2:1, 2.4:1, 16:9, 1:1 4K 17:9 (4096 x 2160), 2:1, 2.4:1, 16:9, 1:1 3K 17:9 (3072 x 1620), 2:1, 2.4:1, 16:9, 1:1 2K 17:9 (2048 x 1080), 2:1, 2.4:1, 16:9, 1:1 |
Apple ProRes | Dedicated recording in ProRes 4444 XQ, ProRes 4444, ProRes 422 HQ, ProRes 422, and ProRes 422 LT. 4K (4096 x 2160) and 2K (2048 x 1080) up to 120 fps Proxy recording available up to ProRes 422 HQ in 2K (2048 x 1080) 60 fps. |
General | |
Construction | Aluminum Alloy |
Weight | 7.99lbs (with PL Mount, V-Lock) 8.08lbs (with PL Mount, Gold Mount) |
DC POWER INPUT | 19.5-34 V via 4-Pin DC-IN |
Operating Temperature | 0°C to 40°C (32°F to 104°F) |
Storage Temperature | -20°C to 50°C (-4°F to 122°F) |
Relative Humidity | 0% to 85% non-condensing |
ADDITIONAL FEATURES | |
Color Management | Image Processing Pipeline 2 (IPP2) Supports multiple simultaneous 33x33x33 3D LUT viewing Supports multiple simultaneous CDL viewing and adjustment |
Audio | Integrated dual channel digital mono microphones, uncompressed, 24-bit 48 kHz Integrated dual channel mic/line/+48V input via 5-pin Audio Port, uncompressed, 24-bit 48 kHz |
Autofocus | Phase Detect and Contrast |
Remote Control | Wi-Fi for camera control via interchangeable dual band (2.4 GHz/5 GHz) antenna mounted to a female RP-SMA connector Wired control via USB-C (compatible USB-C to Ethernet adapter1 required) or Gigabit Ethernet allowing remote camera control, live MJPEG preview video feed and remote media offload 9-Pin 0B GIG-E (1000BASE-T) 4-Pin 00B CTRL (RS-232) Compatible with RED Control and RED Control Pro |
Power Outputs | Regulated 12 V Outputs2 2x P-TAP Connectors (3AMP Combined) 1x Rear 2-Pin 0B (3 AMP) 1x Rear 2-Pin 0B (1.5 AMP) 1x Front 2-Pin 0B (1 AMP) Regulated 24 V Connectors 2x Front 3-Pin Fischer (3 AMP Combined) |
Monitor Outputs | Proprietary top accessory port for monitoring and control 3x 12G-SDI with 6G-SDI, 3G-SDI and 1.5G-SDI modes (SDI 1/2/3) 1x 3G-SDI with 3G-SDI and 1.5G-SDI modes (EVF) 12G-SDI: Up to 4096 x 2160 4:2:2 for 60p 6G-SDI: Up to 4096 x 2160 4:2:2 for 30p, 25p, 24p 3G-SDI: Up to 2048 x 1080 4:2:2 for 60p 1.5G-SDI: Up to 2048 x 1080 4:2:2 for 30p, 25p, 24p SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio |
Monitor Options | DSMC3 RED® Touch 7.0" LCD IP streamed 1080p live preview wirelessly or wired via USB-C or Ethernet1 Integrated 2.4" LCD for camera control (no preview video) |
CAMERA SYNC OPTIONS | Tri-Level Genlock through BNC Linear Timecode (LTC) through 5-Pin 0B PTP through 9-Pin 0B GIG-E Wireless Genlock and Timecode through Integrated Ambient Communication Network (ACN) |
Software | |
RED Control & RED Control Pro | Access full camera controls and live preview from iOS or Android devices. Pro App:Operate one or multiple V-RAPTOR’s over an IP connection to synchronize settings, manage media files locally or upload directly to FrameIO, develop custom looks with advanced CDL and LUT controls, and more. Ideal for control of multi-camera arrays, multi-cam shoots, and live events, all from one central location. Standard app available from the Apple App Store and Google Play Store. RED Control Pro available via Apple App store only and requires additional purchase. RED Control works wirelessly or wired via USB-C |
Tech specs reflect both current and projected information. Everything is subject to change.
1. For more information on compatible accessories, go to RED.com/third-party-accessories
2. High voltage power source required.